Bromide print, estate stamp (verso), 20cm x 24.5cm, (26cm x 31cm framed), £1,250

Throughout his working life, Michael used the camera as an indispensable tool for recording information for his work. However, he also took numerous photos solely for pleasure. He also developed his own photographs.

To enquire about this picture, click HERE

Bromide print, estate stamp (verso), 24.5cm x 20cm, (31cm x 26cm framed), £1,250

Throughout his working life, Michael used the camera as an indispensable tool for recording information for his work. However, he also took numerous photos solely for pleasure. He also developed his own photographs.

To enquire about this picture, click HERE

Bromide print, estate stamp (verso), 24.5cm x 20cm, (31cm x 26cm framed), £1,250

Throughout his working life, Michael used the camera as an indispensable tool for recording information for his work. However, he also took numerous photos solely for pleasure. He also developed his own photographs. The model Leroy appears in some of Michael’s works from the 1970s, such a Leroy in a Blanket 1, 2 &3.

To enquire about this picture, click HERE

Bromide print, estate stamp (verso), 24.5cm x 20cm, (31cm x 26cm framed), £1,250

Throughout his working life, Michael used the camera as an indispensable tool for recording information for his work. However, he also took numerous photos solely for pleasure. He also developed his own photographs. The model Leroy appears in some of Michael’s works from the 1970s, such a Leroy in a Blanket 1, 2 &3.

To enquire about this picture, click HERE

Bromide print, estate stamp (verso), 24.5cm x 20cm, (31cm x 26cm framed), £1,250

Throughout his working life, Michael used the camera as an indispensable tool for recording information for his work. However, he also took numerous photos solely for pleasure. He also developed his own photographs. “I processed a film for the first time in 1967, passing it nervously from hand to hand through some developing fluid in a darkened room. Many of these early films were severely overdeveloped, but I soon discovered that dense black negatives subjected to long exposure, could result in prints as seductively grainy as Seurat drawings.” (Michael Leonard). Barry MacKenzie, pictured, was favourite model and appears in many of Michael’s works from the 1970s.

To enquire about this picture, click HERE

Bromide print, estate stamp (verso), 20cm x 24.5cm, (26cm x 31cm framed), £1,250

Throughout his working life, Michael used the camera as an indispensable tool for recording information for his work. However, he also took numerous photos solely for pleasure. He also developed his own photographs.

To enquire about this picture, click HERE

Bromide print, estate stamp (verso), 24.5cm x 20cm, (31cm x 26cm framed), £1,250

Throughout his working life, Michael used the camera as an indispensable tool for recording information for his work. However, he also took numerous photos solely for pleasure. He also developed his own photographs. The model Leroy appears in some of Michael’s works from the 1970s, such a Leroy in a Blanket 1, 2 &3.

To enquire about this picture, click HERE

Bromide print, estate stamp (verso), 20cm x 24.5cm, (26cm x 31cm framed), £1,250

Throughout his working life, Michael used the camera as an indispensable tool for recording information for his work. However, he also took numerous photos solely for pleasure. He also developed his own photographs. Barry MacKenzie, pictured, was favourite model and appears in many of Michael’s works from the 1970s.

To enquire about this work, click HERE

Bromide print, estate stamp (verso), 20cm x 24.5cm, (26cm x 31cm framed), SOLD

Throughout his working life, Michael used the camera as an indispensable tool for recording information for his work. However, he also took numerous photos solely for pleasure. He also developed his own photographs.

To enquire about this picture, click HERE

Bromide print, estate stamp (verso), 20cm x 24.5cm, (26cm x 31cm framed), SOLD

Throughout his working life, Michael used the camera as an indispensable tool for recording information for his work. However, he also took numerous photos solely for pleasure. He also developed his own photographs. Barry MacKenzie, pictured, was favourite model and appears in many of Michael’s works from the 1970s.

To enquire about this work, click HERE

Polaroid prints, 7.5cm x 9.5cm (each image size), (25cm x 44cm framed), SOLD

Michael would often use his Polaroid camera to record reference material for his work. These photos formed the basis of two of his paintings from that era of work: Dark Figure Undressing, 1970 and Man Undressing, 1970-71

To enquire about this work, click HERE

Polaroid prints, 7.5cm x 9.5cm (each image size), (25cm x 44cm framed), SOLD

Michael would often use his Polaroid camera to record reference material for his work. These photos formed the basis of three of his paintings from that era of work: Leroy in a Blanket 1, 2 & 3, 1970-72.

To enquire about this work, click HERE