Clive Hicks-Jenkins, RCA., (British b.1951), Furious Embrace, 2007
Clive Hicks-Jenkins, RCA., (British b.1951), Furious Embrace, 2007

Acrylic on panel, 82cm x 62cm (118cm x 98cm framed), £8,000

Born in Newport, south Wales, in 1951, the early part of his career was as a choreographer and stage director. Turning away from theatre in the 90s, to concentrate on painting, he has been praised by critics in The Independent, Modern Painters and Art Review. Simon Callow has called him ‘one of the most individual and complete artists of our time'. Galleries has described his work as ‘reflective, expressive painting of the highest order.’ His work is included in numerous private and public collections, including the National Museum of Wales and the Pallant House Gallery

This painting is part of a series, in which the artist was inspired by the legend of St Hervé; a blind “boy-saint”, revered in Breton popular mythology, whose dog, his loyal guide, was devoured by a wolf. Paradoxically, the marauding wolf thereafter became Hervé’s new pair of eyes. A detailed explanation of his inspiration can be found HERE

To enquire about this work, click HERE

Clive Hicks-Jenkins, RCA., (British b.1951), Wolf Boy, 2011
Clive Hicks-Jenkins, RCA., (British b.1951), Wolf Boy, 2011

Acrylic on panel, 56cm x 61cm, (67cm x 77cm framed), £7,500

Born in Newport, south Wales, in 1951, the early part of his career was as a choreographer and stage director. Turning away from theatre in the 90s, to concentrate on painting, he has been praised by critics in The Independent, Modern Painters and Art Review. Simon Callow has called him ‘one of the most individual and complete artists of our time'. Galleries has described his work as ‘reflective, expressive painting of the highest order.’ His work is included in numerous private and public collections, including the National Museum of Wales and the Pallant House Gallery.

This painting is part of a series, in which the artist was inspired by the legend of St Hervé; a blind “boy-saint”, revered in Breton popular mythology, whose dog, his loyal guide, was devoured by a wolf. Paradoxically, the marauding wolf thereafter became Hervé’s new pair of eyes. A detailed explanation of his inspiration can be found HERE

To enquire about this work, click HERE

Clive Hicks-Jenkins, RCA., (British b.1951), Sleep Fall, 2011
Clive Hicks-Jenkins, RCA., (British b.1951), Sleep Fall, 2011

Pencil and acrylic on gessoed Arches paper, 57cm x 53cm, (73cm x 69cm framed), £4,500

Born in Newport, south Wales, in 1951, the early part of his career was as a choreographer and stage director. Turning away from theatre in the 90s, to concentrate on painting, he has been praised by critics in The Independent, Modern Painters and Art Review. Simon Callow has called him ‘one of the most individual and complete artists of our time'. Galleries has described his work as ‘reflective, expressive painting of the highest order.’ His work is included in numerous private and public collections, including the National Museum of Wales and the Pallant House Gallery.

This painting is part of a series, in which the artist was inspired by the legend of St Hervé; a blind “boy-saint”, revered in Breton popular mythology, whose dog, his loyal guide, was devoured by a wolf. Paradoxically, the marauding wolf thereafter became Hervé’s new pair of eyes. A detailed explanation of his inspiration can be found HERE

To enquire about this work, click HERE

Jo Brocklehurst, (British 1935-2006), Boy in the Shower, 1980
Jo Brocklehurst, (British 1935-2006), Boy in the Shower, 1980

Coloured crayon on paper, signed and dated (lower left), 83cm x 58cm, (87cm x 62cm framed), SOLD

Jo Brocklehurst was a British artist and fashion illustrator who gained recognition for her striking drawings of the punk subculture in London during the 1970s and 1980s. Her bold, detailed illustrations captured the rebellious spirit of the punk movement and have since become iconic representations of the era. After attending college at St Martin’s Central School of Art, she began working as a fashion illustrator for magazines such as Tatler, The Observer, and The Sunday Times. Her distinctive style, made her work instantly recognizable and highly sought after. In 1979, her work was part of the group show at the Institute of Contemporary Ar, London, "Women's Images of Men."

To enquire about this work, click HERE

Peter McClaren, (Scottish b.1964), Figure in a Hot Landscape, 1991
Peter McClaren, (Scottish b.1964), Figure in a Hot Landscape, 1991

Oil on board, signed and dated (lower right), 77cm x 55cm, (81cm x 64cm framed), £3,950

Born in Edinburgh McClaren studied at the Edinburgh College of Art. While there he won the John Kinross Scholarship, from the Royal Scottish Academy, which allowed him to study in Florence, and the Richard Ford Award, from the Royal Academy in London, to study the works in the Prado, Madrid. Early influences include the collection of Scottish Colourists and post war expressionist paintings found in his home town of Kirkcaldy's Museum. Post graduation, McClaren won an Andrew Grant Scholarship which introduced him first hand to American art. Wyeth, Pollock, Lichtenstein and Warhol. In 1989 he won the inaugural British Airways Most Promising Artist Award. He continues to live and work in Scotland.

To enquire about this work, click HERE

Yankel Feather, (British 1920-2009), Marat, 1995
Yankel Feather, (British 1920-2009), Marat, 1995

Oil on canvas, signed and dated (lower right), 102cm x 102cm, (109cm x 109cm framed), £3,000

Feather was a member of the Liverpool Academy of Arts and the Newlyn Society of Artists. Paintings by Feather are in the public collections of the Royal Pavilion and the Walker Art Gallery. This painting is a contemporary take on the Neo-classical masterpiece ‘The Death of Marat’ by Jacques-Louis David (French 1748-1825).

To enquire about this work, click HERE

Daniel Barkley, (Canadian b.1962), Study for Fallen Angel III, 2011
Daniel Barkley, (Canadian b.1962), Study for Fallen Angel III, 2011

Watercolour, signed and dated (lower right), 76cm x 56cm, (93cm x 69cm framed), £2,500

Daniel Barkley is known for his nude figurative work alluding to myths, legends and art history, which has been widely exhibited and collected across Canada and the United States for over twenty years. His watercolours have also won top prizes at national competitions, including the Canadian Society of Painters Watercolour’s A.J. Casson Medal 2002 and 2012.

To enquire about this work, click HERE

Lin Jammet, (British 1958-2017), Three Figures, 1992
Lin Jammet, (British 1958-2017), Three Figures, 1992

Watercolour and pencil on paper, 76cm x 51cm, (87cm x 61cm framed), £2,500

Son of Elisabeth Frink and architect Michel Jammet, although slightly better known as a printmaker, Jammet was an highly accomplished artist in his own right.

To enquire about this picture, click HERE

Alberto Abate, (Italian 1946-2012), Oedipus, 2002
Alberto Abate, (Italian 1946-2012), Oedipus, 2002

Lithograph, signed, titled, dated and initialled 'p.d.s.', 63cm x 47cm (plate size), (87cm x 67cm framed), £1,250

Painter, watercolourist, printer, and fresco painter, Edward Lucie-Smith considers Abate as one of the twenty most representative Italian artists of the last decades of the twentieth century and places him among the leading artists of the international neoclassical movement.

To enquire about this picture, click HERE

Francis West, (British 1936-2015), Ennui, 2009
Francis West, (British 1936-2015), Ennui, 2009

Charcoal on paper, 69cm x 98cm (79cm x 107cm framed), £5,000

Difficult to categorise in any particular style or movement, his work is steeped in the knowledge of the great traditions of figurative art. An extraordinary draftsmen, his work exudes an inimitable style of its own, full of wondrous people, mythical creatures and performing animals.

To enquire about this picture, click HERE

Francis West, (British 1936-2015), The Impossible Weight of Existence, 2008.
Francis West, (British 1936-2015), The Impossible Weight of Existence, 2008.

Charcoal on paper, 98cm x 69cm (107cm x 79cm framed), £5,000

Difficult to categorise in any particular style or movement, his work is steeped in the knowledge of the great traditions of figurative art. An extraordinary draftsmen, his work exudes an inimitable style of its own, full of wondrous people, mythical creatures and performing animals.

To enquire about this picture, click HERE

Francis West, (British 1936-2015), Empress, 2008
Francis West, (British 1936-2015), Empress, 2008

Pastel and charcoal on paper, 109cm x 75cm (120cm x 85cm framed), £5,500

Difficult to categorise in any particular style or movement, his work is steeped in the knowledge of the great traditions of figurative art. An extraordinary draftsmen, his work exudes an inimitable style of its own, full of wondrous people, mythical creatures and performing animals.

To enquire about this picture, click HERE

Francis West, (British 1936-2015), No Question, 2011
Francis West, (British 1936-2015), No Question, 2011

Pastel and charcoal on the paper, 56cm x 76cm, (66cm x 85cm framed), £3,000

Difficult to categorise in any particular style or movement, his work is steeped in the knowledge of the great traditions of figurative art. An extraordinary draftsmen, his work exudes an inimitable style of its own, full of wondrous people, mythical creatures and performing animals.

To enquire about this picture, click HERE

Francis West, (British 1936-2015), Clown, 1995.
Francis West, (British 1936-2015), Clown, 1995.

Oil on paper, signed, titled and dated (verso), 92cm x 70cm (101cm x 79cm framed), £7,000

Difficult to categorise in any particular style or movement, his work is steeped in the knowledge of the great traditions of figurative art. An extraordinary draftsmen, whose work exudes an inimitable style of its own, full of wondrous people, mythical creatures and performing animals.

To enquire about this picture, click HERE

Ian Cook, (Scottish b.1951), Twilight, 2022
Ian Cook, (Scottish b.1951), Twilight, 2022

Acrylic on board, signed (lower left), 53cm x 38cm, (58cm x 43cm framed), £1,250

Cook graduated from Glasgow School of Art. After two traveling scholarships to Spain and Africa he focused primarily on indigenous subject matter. Many of his works are sourced from Latin American, African and European mythology and folklore.

To enquire about this work, and for images, click HERE

Ian Cook, R.I., R.S.W., (Scottish b.1951), Figure 11, 2018.
Ian Cook, R.I., R.S.W., (Scottish b.1951), Figure 11, 2018.

Acrylic on paper, signed (lower left), 84cm x 59cm, £1,950

Cook graduated from Glasgow School of Art. After two travelling scholarships to Spain and Africa he focused primarily on indigenous subject matter. Many of his works are sourced from Latin American, African and European mythology and folklore.

To enquire about shipping costs click HERE

Ian Cook, R.I., R.S.W., (Scottish b.1951), Figure 18, 2016.
Ian Cook, R.I., R.S.W., (Scottish b.1951), Figure 18, 2016.

Acrylic on paper, signed (lower left), 84cm x 59cm, £1,950

Cook graduated from Glasgow School of Art. After two traveling scholarships to Spain and Africa he focused primarily on indigenous subject matter. Many of his works are sourced from Latin American, African and European mythology and folklore.

To enquire about shipping costs click HERE

Trevor Southey, (Zimbabwe 1940-2015), Boatman.
Trevor Southey, (Zimbabwe 1940-2015), Boatman.

Etching, marked '7/60' (lower left) and signed (lower right), 39cm x 59cm (plate size), (framed 69cm x 89cm), £1,500

Born in the former British colony of Rhodesia, now Zimbabwe, in 1965 he emigrated to the United States, whilst retaining an abiding sense of his African and British origins in his work.

To enquire about this picture, click HERE

Valeria Lakrisenko, (Russian b.1992), Portrait of Sam, 2015.
Valeria Lakrisenko, (Russian b.1992), Portrait of Sam, 2015.

Charcoal and tempura on paper, 128cm x 63cm, (136cm x 72cm framed), £1,950

Lakrisenko is a graduate of the St. Petersburg Academy, and although a contemporary artist, her work is very evocative of early 20th Century Russian art.

To enquire about this picture, click HERE

Ronald Bowen, (American b.1944), Jeune Homme nu Assis, 1981
Ronald Bowen, (American b.1944), Jeune Homme nu Assis, 1981

Coloured pencil on paper, 132cm x 101cm, (142cm x 106cm framed), price on request

Bowen emigrated to Paris in the late 1960s, and remains working there in his studio in Montmartre. This drawing, is extraordinary in both its size and realist qualities.

To enquire about this picture, click HERE

Ronald Bowen, (American b.1944), Portrait of Francisco Palomares, 1981.
Ronald Bowen, (American b.1944), Portrait of Francisco Palomares, 1981.

Coloured pencil on paper, 70cm x 96cm (76cm x 102cm framed), price on request

A realist artist of extraordinary talents, Bowen emigrated to Paris in the late 1960s, and remains working there in his studio in Montmartre.

To enquire about this picture, click HERE

Ronald Bowen, (American b.1944), Jeune Homme nu Debout, 1985.
Ronald Bowen, (American b.1944), Jeune Homme nu Debout, 1985.

Oil on canvas, 130cm x 97cm, unframed, price on request

A realist artist of extraordinary talents, Bowen emigrated to Paris in the late 1960s, and remains working there in his studio in Montmartre.

To enquire about this picture, click HERE

Ronald Bowen, (American b.1944), Study for the Portrait of Gilbert, 1976.
Ronald Bowen, (American b.1944), Study for the Portrait of Gilbert, 1976.

Pencil on paper, signed and dated (verso), 40cm x 37cm, (50cm x 40cm in mount), unframed, £1,750

A realist artist of extraordinary talents, Bowen emigrated to Paris in the late 1960s, and remains working there in his studio in Montmartre.

To enquire about this picture, click HERE

Clive Hicks-Jenkins, RCA., (British b.1951), Furious Embrace, 2007
Clive Hicks-Jenkins, RCA., (British b.1951), Wolf Boy, 2011
Clive Hicks-Jenkins, RCA., (British b.1951), Sleep Fall, 2011
Jo Brocklehurst, (British 1935-2006), Boy in the Shower, 1980
Peter McClaren, (Scottish b.1964), Figure in a Hot Landscape, 1991
Yankel Feather, (British 1920-2009), Marat, 1995
Daniel Barkley, (Canadian b.1962), Study for Fallen Angel III, 2011
Lin Jammet, (British 1958-2017), Three Figures, 1992
Alberto Abate, (Italian 1946-2012), Oedipus, 2002
Francis West, (British 1936-2015), Ennui, 2009
Francis West, (British 1936-2015), The Impossible Weight of Existence, 2008.
Francis West, (British 1936-2015), Empress, 2008
Francis West, (British 1936-2015), No Question, 2011
Francis West, (British 1936-2015), Clown, 1995.
Ian Cook, (Scottish b.1951), Twilight, 2022
Ian Cook, R.I., R.S.W., (Scottish b.1951), Figure 11, 2018.
Ian Cook, R.I., R.S.W., (Scottish b.1951), Figure 18, 2016.
Trevor Southey, (Zimbabwe 1940-2015), Boatman.
Valeria Lakrisenko, (Russian b.1992), Portrait of Sam, 2015.
Ronald Bowen, (American b.1944), Jeune Homme nu Assis, 1981
Ronald Bowen, (American b.1944), Portrait of Francisco Palomares, 1981.
Ronald Bowen, (American b.1944), Jeune Homme nu Debout, 1985.
Ronald Bowen, (American b.1944), Study for the Portrait of Gilbert, 1976.
Clive Hicks-Jenkins, RCA., (British b.1951), Furious Embrace, 2007

Acrylic on panel, 82cm x 62cm (118cm x 98cm framed), £8,000

Born in Newport, south Wales, in 1951, the early part of his career was as a choreographer and stage director. Turning away from theatre in the 90s, to concentrate on painting, he has been praised by critics in The Independent, Modern Painters and Art Review. Simon Callow has called him ‘one of the most individual and complete artists of our time'. Galleries has described his work as ‘reflective, expressive painting of the highest order.’ His work is included in numerous private and public collections, including the National Museum of Wales and the Pallant House Gallery

This painting is part of a series, in which the artist was inspired by the legend of St Hervé; a blind “boy-saint”, revered in Breton popular mythology, whose dog, his loyal guide, was devoured by a wolf. Paradoxically, the marauding wolf thereafter became Hervé’s new pair of eyes. A detailed explanation of his inspiration can be found HERE

To enquire about this work, click HERE

Clive Hicks-Jenkins, RCA., (British b.1951), Wolf Boy, 2011

Acrylic on panel, 56cm x 61cm, (67cm x 77cm framed), £7,500

Born in Newport, south Wales, in 1951, the early part of his career was as a choreographer and stage director. Turning away from theatre in the 90s, to concentrate on painting, he has been praised by critics in The Independent, Modern Painters and Art Review. Simon Callow has called him ‘one of the most individual and complete artists of our time'. Galleries has described his work as ‘reflective, expressive painting of the highest order.’ His work is included in numerous private and public collections, including the National Museum of Wales and the Pallant House Gallery.

This painting is part of a series, in which the artist was inspired by the legend of St Hervé; a blind “boy-saint”, revered in Breton popular mythology, whose dog, his loyal guide, was devoured by a wolf. Paradoxically, the marauding wolf thereafter became Hervé’s new pair of eyes. A detailed explanation of his inspiration can be found HERE

To enquire about this work, click HERE

Clive Hicks-Jenkins, RCA., (British b.1951), Sleep Fall, 2011

Pencil and acrylic on gessoed Arches paper, 57cm x 53cm, (73cm x 69cm framed), £4,500

Born in Newport, south Wales, in 1951, the early part of his career was as a choreographer and stage director. Turning away from theatre in the 90s, to concentrate on painting, he has been praised by critics in The Independent, Modern Painters and Art Review. Simon Callow has called him ‘one of the most individual and complete artists of our time'. Galleries has described his work as ‘reflective, expressive painting of the highest order.’ His work is included in numerous private and public collections, including the National Museum of Wales and the Pallant House Gallery.

This painting is part of a series, in which the artist was inspired by the legend of St Hervé; a blind “boy-saint”, revered in Breton popular mythology, whose dog, his loyal guide, was devoured by a wolf. Paradoxically, the marauding wolf thereafter became Hervé’s new pair of eyes. A detailed explanation of his inspiration can be found HERE

To enquire about this work, click HERE

Jo Brocklehurst, (British 1935-2006), Boy in the Shower, 1980

Coloured crayon on paper, signed and dated (lower left), 83cm x 58cm, (87cm x 62cm framed), SOLD

Jo Brocklehurst was a British artist and fashion illustrator who gained recognition for her striking drawings of the punk subculture in London during the 1970s and 1980s. Her bold, detailed illustrations captured the rebellious spirit of the punk movement and have since become iconic representations of the era. After attending college at St Martin’s Central School of Art, she began working as a fashion illustrator for magazines such as Tatler, The Observer, and The Sunday Times. Her distinctive style, made her work instantly recognizable and highly sought after. In 1979, her work was part of the group show at the Institute of Contemporary Ar, London, "Women's Images of Men."

To enquire about this work, click HERE

Peter McClaren, (Scottish b.1964), Figure in a Hot Landscape, 1991

Oil on board, signed and dated (lower right), 77cm x 55cm, (81cm x 64cm framed), £3,950

Born in Edinburgh McClaren studied at the Edinburgh College of Art. While there he won the John Kinross Scholarship, from the Royal Scottish Academy, which allowed him to study in Florence, and the Richard Ford Award, from the Royal Academy in London, to study the works in the Prado, Madrid. Early influences include the collection of Scottish Colourists and post war expressionist paintings found in his home town of Kirkcaldy's Museum. Post graduation, McClaren won an Andrew Grant Scholarship which introduced him first hand to American art. Wyeth, Pollock, Lichtenstein and Warhol. In 1989 he won the inaugural British Airways Most Promising Artist Award. He continues to live and work in Scotland.

To enquire about this work, click HERE

Yankel Feather, (British 1920-2009), Marat, 1995

Oil on canvas, signed and dated (lower right), 102cm x 102cm, (109cm x 109cm framed), £3,000

Feather was a member of the Liverpool Academy of Arts and the Newlyn Society of Artists. Paintings by Feather are in the public collections of the Royal Pavilion and the Walker Art Gallery. This painting is a contemporary take on the Neo-classical masterpiece ‘The Death of Marat’ by Jacques-Louis David (French 1748-1825).

To enquire about this work, click HERE

Daniel Barkley, (Canadian b.1962), Study for Fallen Angel III, 2011

Watercolour, signed and dated (lower right), 76cm x 56cm, (93cm x 69cm framed), £2,500

Daniel Barkley is known for his nude figurative work alluding to myths, legends and art history, which has been widely exhibited and collected across Canada and the United States for over twenty years. His watercolours have also won top prizes at national competitions, including the Canadian Society of Painters Watercolour’s A.J. Casson Medal 2002 and 2012.

To enquire about this work, click HERE

Lin Jammet, (British 1958-2017), Three Figures, 1992

Watercolour and pencil on paper, 76cm x 51cm, (87cm x 61cm framed), £2,500

Son of Elisabeth Frink and architect Michel Jammet, although slightly better known as a printmaker, Jammet was an highly accomplished artist in his own right.

To enquire about this picture, click HERE

Alberto Abate, (Italian 1946-2012), Oedipus, 2002

Lithograph, signed, titled, dated and initialled 'p.d.s.', 63cm x 47cm (plate size), (87cm x 67cm framed), £1,250

Painter, watercolourist, printer, and fresco painter, Edward Lucie-Smith considers Abate as one of the twenty most representative Italian artists of the last decades of the twentieth century and places him among the leading artists of the international neoclassical movement.

To enquire about this picture, click HERE

Francis West, (British 1936-2015), Ennui, 2009

Charcoal on paper, 69cm x 98cm (79cm x 107cm framed), £5,000

Difficult to categorise in any particular style or movement, his work is steeped in the knowledge of the great traditions of figurative art. An extraordinary draftsmen, his work exudes an inimitable style of its own, full of wondrous people, mythical creatures and performing animals.

To enquire about this picture, click HERE

Francis West, (British 1936-2015), The Impossible Weight of Existence, 2008.

Charcoal on paper, 98cm x 69cm (107cm x 79cm framed), £5,000

Difficult to categorise in any particular style or movement, his work is steeped in the knowledge of the great traditions of figurative art. An extraordinary draftsmen, his work exudes an inimitable style of its own, full of wondrous people, mythical creatures and performing animals.

To enquire about this picture, click HERE

Francis West, (British 1936-2015), Empress, 2008

Pastel and charcoal on paper, 109cm x 75cm (120cm x 85cm framed), £5,500

Difficult to categorise in any particular style or movement, his work is steeped in the knowledge of the great traditions of figurative art. An extraordinary draftsmen, his work exudes an inimitable style of its own, full of wondrous people, mythical creatures and performing animals.

To enquire about this picture, click HERE

Francis West, (British 1936-2015), No Question, 2011

Pastel and charcoal on the paper, 56cm x 76cm, (66cm x 85cm framed), £3,000

Difficult to categorise in any particular style or movement, his work is steeped in the knowledge of the great traditions of figurative art. An extraordinary draftsmen, his work exudes an inimitable style of its own, full of wondrous people, mythical creatures and performing animals.

To enquire about this picture, click HERE

Francis West, (British 1936-2015), Clown, 1995.

Oil on paper, signed, titled and dated (verso), 92cm x 70cm (101cm x 79cm framed), £7,000

Difficult to categorise in any particular style or movement, his work is steeped in the knowledge of the great traditions of figurative art. An extraordinary draftsmen, whose work exudes an inimitable style of its own, full of wondrous people, mythical creatures and performing animals.

To enquire about this picture, click HERE

Ian Cook, (Scottish b.1951), Twilight, 2022

Acrylic on board, signed (lower left), 53cm x 38cm, (58cm x 43cm framed), £1,250

Cook graduated from Glasgow School of Art. After two traveling scholarships to Spain and Africa he focused primarily on indigenous subject matter. Many of his works are sourced from Latin American, African and European mythology and folklore.

To enquire about this work, and for images, click HERE

Ian Cook, R.I., R.S.W., (Scottish b.1951), Figure 11, 2018.

Acrylic on paper, signed (lower left), 84cm x 59cm, £1,950

Cook graduated from Glasgow School of Art. After two travelling scholarships to Spain and Africa he focused primarily on indigenous subject matter. Many of his works are sourced from Latin American, African and European mythology and folklore.

To enquire about shipping costs click HERE

Ian Cook, R.I., R.S.W., (Scottish b.1951), Figure 18, 2016.

Acrylic on paper, signed (lower left), 84cm x 59cm, £1,950

Cook graduated from Glasgow School of Art. After two traveling scholarships to Spain and Africa he focused primarily on indigenous subject matter. Many of his works are sourced from Latin American, African and European mythology and folklore.

To enquire about shipping costs click HERE

Trevor Southey, (Zimbabwe 1940-2015), Boatman.

Etching, marked '7/60' (lower left) and signed (lower right), 39cm x 59cm (plate size), (framed 69cm x 89cm), £1,500

Born in the former British colony of Rhodesia, now Zimbabwe, in 1965 he emigrated to the United States, whilst retaining an abiding sense of his African and British origins in his work.

To enquire about this picture, click HERE

Valeria Lakrisenko, (Russian b.1992), Portrait of Sam, 2015.

Charcoal and tempura on paper, 128cm x 63cm, (136cm x 72cm framed), £1,950

Lakrisenko is a graduate of the St. Petersburg Academy, and although a contemporary artist, her work is very evocative of early 20th Century Russian art.

To enquire about this picture, click HERE

Ronald Bowen, (American b.1944), Jeune Homme nu Assis, 1981

Coloured pencil on paper, 132cm x 101cm, (142cm x 106cm framed), price on request

Bowen emigrated to Paris in the late 1960s, and remains working there in his studio in Montmartre. This drawing, is extraordinary in both its size and realist qualities.

To enquire about this picture, click HERE

Ronald Bowen, (American b.1944), Portrait of Francisco Palomares, 1981.

Coloured pencil on paper, 70cm x 96cm (76cm x 102cm framed), price on request

A realist artist of extraordinary talents, Bowen emigrated to Paris in the late 1960s, and remains working there in his studio in Montmartre.

To enquire about this picture, click HERE

Ronald Bowen, (American b.1944), Jeune Homme nu Debout, 1985.

Oil on canvas, 130cm x 97cm, unframed, price on request

A realist artist of extraordinary talents, Bowen emigrated to Paris in the late 1960s, and remains working there in his studio in Montmartre.

To enquire about this picture, click HERE

Ronald Bowen, (American b.1944), Study for the Portrait of Gilbert, 1976.

Pencil on paper, signed and dated (verso), 40cm x 37cm, (50cm x 40cm in mount), unframed, £1,750

A realist artist of extraordinary talents, Bowen emigrated to Paris in the late 1960s, and remains working there in his studio in Montmartre.

To enquire about this picture, click HERE

show thumbnails