Pencil on paper, signed (lower right), 27.5cm x 20cm, (46cm x 38cm framed), £4,500

Vaughan was a British artist, whose work is held in the collections of the Government Art Collection, National Galleries Scotland, National Portrait Gallery, Tate and Victoria and Albert Museum in the UK. In the 1940s, with his friend John Minton, he was one of the leading exponents of Neo-Romanticism, characteristic works of this time being coloured drawings of moonlit houses. His later work, in which he concentrated on his favourite theme of the male nude in a landscape setting, became grander and more simplified, moving towards abstraction.

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Tempera on board, signed (lower right), 61cm x 50cm, (72cm x 61cm framed), £4,750

A graduate of the RA schools in the 1950s, Plummer’s principal focus in his output throughout his career, was the human form; primarily the nude. He was very influenced by the painting techniques of Giotto and other early Renaissance painters and was particularly interested in the anatomical work of Michelangelo and Da Vinci.His work is truly original in both nature and style. Plummer worked in seclusion his whole life.  He rarely exhibited as he did not trust others to understand or appreciate much of his work.

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Tempera on board, signed and dated (lower left), 122cm x 183cm (135cm x 193cm framed). Price on request

A graduate of the RA schools in the 1950s, Plummer’s principal focus in his output throughout his career, was the human form; primarily the nude. He was very influenced by the painting techniques of Giotto and other early Renaissance painters and was particularly interested in the anatomical work of Michelangelo and Da Vinci.His work is truly original in both nature and style. Plummer worked in seclusion his whole life.  He rarely exhibited as he did not trust others to understand or appreciate much of his work.

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Charcoal and gouache on paper, 60cm x 47cm, (66cm x 43cm framed), £1,250

An émigré from Argentina in the early 1950s who settled in Paris with her partner Yvonne Bilis-Régnier, exhibited very little: once at the Bernard Loliée gallery in the 1950s-60s and once with the feminist artists' group 'Spirale' in 1977. This work comes from the artist’s estate.

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Charcoal and watercolour on paper, 67cm x 49cm, (72cm x 49cm framed), £1,250

An émigré from Argentina in the early 1950s who settled in Paris with her partner Yvonne Bilis-Régnier, exhibited very little: once at the Bernard Loliée gallery in the 1950s-60s and once with the feminist artists' group 'Spirale' in 1977. This work comes from the artist’s estate.

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Charcoal and watercolour on paper, 64cm x 47cm, (70cm x 53cm framed), £1,250

An émigré from Argentina in the early 1950s who settled in Paris with her partner Yvonne Bilis-Régnier, exhibited very little: once at the Bernard Loliée gallery in the 1950s-60s and once with the feminist artists' group 'Spirale' in 1977. This work comes from the artist’s estate.

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Oil on board, signed and dated (lower right), 70cm x 51cm, (76cm x 57cm framed), £1,500

A graduate of the Kyiv Art Institute, Dzyuban was well known for both commercial and more traditional art. In 1974, he became an Honored Artist of Ukraine, and a member of the Union of Artists of Ukraine. He participated in numerous Soviet and international exhibitions. This work was a painted sketch for more finished exhibited painting.

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Screenprint on paper, signed and dated (lower right) and numbered '28/50' (lower left), 18cm x 30cm (image size), 34cm x 46cm (sheet size), (39cm x 50cm framed), £5,000

A highly successful hyperrealist painter, who was was greatly influenced by Renaissance and Baroque artists, as well as Surrealist painters such as Salvador Dalí. He lived and worked in Tangier from the 1970s. He was known mainly for his paintings of still lifes and portraits but also a large amount of his work had an overtly homoerotic theme. This work is a screenprint of a Conté drawing titled 'Study Portrait of Mr Couchez', 1978.

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Pastel on paper, signed and titled (lower right), 49cm x 69cm, (61cm x 81cm framed), £1,950

Cayford, now retired, was a graphic designer and illustrator working in London in the postwar period. His works of the male form were shown predominantly in London, and are in many private collections.

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Pastel on paper, signed and titled (lower right), 49cm x 76cm, (62cm x 89cm framed), £1,950

Cayford, now retired, was a graphic designer and illustrator working in London in the postwar period. His works of the male form were shown predominantly in London, and are in many private collections.

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Charcoal and pastel on paper, signed and dated (lower right), 51cm x 38cm, (63cm x 49cm framed), £1,250

Cayford, now retired, was a graphic designer and illustrator working in London in the postwar period. His works of the male form were shown predominantly in London, and are in many private collections.

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Oil on board, signed and dated (lower left), 70cm x 90cm, (71cm x 91cm framed), £4,000

A realist painter at first, Delmotte was influenced by Expressionism of the beginning of the 20th century, before turning to a symbolic style and developing his great compositions with mysterious landscapes and futuristic architectures.

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Ink and wash, 16.5cm x 29cm, (34cm x 46cm framed), £3,000

Basil Blackshaw was the foremost Northern Irish painter of his generation. He studied at the Belfast College of Art and he is best known for his post expressionist landscape paintings, portraits, equine and animal paintings. The Arts Council of Northern Ireland organised a retrospective of his work in 1995 and the Ulster Museum held a major exhibition of his work in 2002. The F.E. McWilliam Gallery and Studio and the Royal Hibernian Academy held exhibitions to mark the artist’s 80th birthday. His work is in many public collections in Ireland, as well as the government art collection.

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Lithograph, signed (in the plate), 101cm x 63cm, (111cm 74cm framed), SOLD

Hockney combines his very famous motif of swimming pools, for the official poster for the 1972 Munich Olympics.

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Gouache on paper, signed (lower left) and titled (lower right), 68cm x 88cm, (88cm x 108cm framed), £4,000

A realist painter at first, Delmotte was influenced by Expressionism of the beginning of the century, before turning to the symbolic style and developing his great compositions with mysterious landscapes and futuristic architectures. Here he has drawn on Greek mythology, but painted the scene in his own unique style.

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Watercolour, signed (lower right), 14cm x 9cm, (32cm x 25cm framed), £1,250

Active within the Gay Liberation Front in London from its inception in 1970, Hutter showed at group exhibitions at the Royal Academy, the Royal Watercolour Society and the Royal Institute of Painters in Watercolours. He had numerous solo shows across London, and a retrospective at The Bloxham Galleries in 2000.

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Graphite and coloured pencil on paper, signed and dated (lower right), 36cm x 44cm, (45cm x 53cm framed), £2,500

Throughout his long career, Lear primarily explored homoeroticism in a truly unique style. He is an artist who remained true to his style and genre, at a time when exploring the male form in art was truly unfashionable. His work is in the collections of the Philadelphia Museum of Art, Woodmere Art Museum, the Detroit Institute of Arts.

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Screenprint, signed (lower right) and numbered ‘135/180’ (lower left), 100cm x 70cm, (105cm x 75cm framed), £1,750

Tsarouchis was a gay Greek modernist painter and set designer who achieved international fame, and was "known in particular for his homoerotic subjects," including soldiers, sailors, and nude males. The subject of the picture, appears in a number of Tsarouchis’s works.

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Lithograph, signed (lower right) and numbered ‘33/75’ (lower left), 50cm x 58cm (print size), (69cm x 74cm framed), £1,750

Tsarouchis was a gay Greek modernist painter and set designer who achieved international fame, and was "known in particular for his homoerotic subjects," including soldiers, sailors, and nude males.

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Lithograph, signed (in the plate), 101cm x 64cm, (105cm x 66cm framed), £850

Associated with the British Pop art movement of the late 1960s, Jones is known for his work with lithography, painting, drawing, and sculpture.

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Oil on board, signed and titled (verso), 11cm x 15cm, (27cm x 23.5cm framed), £3,500

An artist, who also served on the board of the National Gallery of Australia, was a truly original painter. By the 60’s, many of his paintings had homoerotic undertones, something which reflected on Gleeson's own homosexuality. Here he uses the Greek myth of Icarus, to explore his interest in homoeroticism.

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Oil on board, signed (lower left), 15cm x 11cm, (29cm x 25.5cm framed), £4,000

An artist, who also served on the board of the National Gallery of Australia, was a truly original painter. By the late 60’s, many of his paintings had homoerotic undertones, something which reflected on Gleeson's own homosexuality. Here he uses the Greek myth of Icarus, to explore his interest in homoeroticism.

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Pastel and chalk on paper, dated and marked ‘Bruce S’ (upper left), 75cm x 55cm, (79cm x 60cm framed). (Provenance; the artist’s estate, stamped verso). £1,750

Following a career in Special Operations during the war, Stonehouse went to the US and continued his career as a fashion artist painting for magazines like Vogue, Harper's Bazaar and Elizabeth Arden. He was also an accomplished portraitist.

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Charcoal and gouache on paper, titled ‘Phil Richards’ and dated ‘Friday Dec 8 72’ (lower left), 64cm x 48cm (72cm x 56cm framed).(Provenance: the Artist’s estate (stamped verso)), £1,750

Following a career in Special Operations during the war, Stonehouse went to the US and continued his career as a fashion artist painting for magazines like Vogue, Harper's Bazaar and Elizabeth Arden. He was also an accomplished portraitist.

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Oil on canvas, signed and dated (lower right), 78cm x 100cm, (86cm x 107cm framed), £1,500

From 1933-1938, Pollitzer was chief designer at Pilkington Glass. Postwar he exhibited as an artist, at places such as the Redfern Gallery. A self-taught artist, with an original eye, and a true mastery of line and form.

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Charcoal, ink and ink wash, and collage on paper, signed and dated (lower right), 70cm x 51cm (78cm x 59cm framed), £7,500

An artist, who also served on the board of the National Gallery of Australia, was a truly original painter. By the late 60’s, Many of his paintings had homoerotic undertones, something which reflected on Gleeson's own homosexuality. In keeping with the Freudian principles of surrealism, he composed works which, he said, symbolized the inner workings of the human mind.

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Oil on board, signed (lower right), 24.5cm x 19cm (40cm x 35cm framed), £8,500

An artist, who also served on the board of the National Gallery of Australia, was a truly original painter. By the late 60’s, Many of his paintings had homoerotic undertones, something which reflected on Gleeson's own homosexuality. In keeping with the Freudian principles of surrealism, he composed works which, he said, symbolized the inner workings of the human mind.

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Lithograph, marked ‘Tav 3, Es 21/94’ (lower left) and signed (lower right), 48cm x 33cm (plate size) (66cm x 49cm framed), £1,250

This print is from a series of 10 prints entitled I Cavalli. It was produced in an edition of 94, with 11 additional AP’s. De Chirico’s work can be found many major public collections, including the Tate Gallery and MOMA.

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Watercolour, felt tip pen, and pencil on paper, titled (lower left), 48cm x 37cm, (70cm x 58cm framed). £4,750

Patrick Procktor was part of an influential group of British artists in the 1960s. His early paintings were dynamic, abstract depictions of the male nude, before he established himself as one of the leading watercolourists of his generation from the 1970s His work is held in many major public collections.

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Tempera on board, 87cm x 60cm (framed 106cm x 78cm). £3,500

A British painter and visual artist, renowned for his use of the traditional egg tempera technique. He favoured the medium for its ability to depict clear lines, razor sharp detail and bright colour.

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Pencil, coloured pencil and chalk on paper, titled (lower left), signed (lower right), 31cm x 46cm, (51cm x 68cm framed), £2,250

An important figure in American 20th realism, Koch’s work in contained in many US public collections, including the Metropolitan Museum of Art, the Smithsonian American Art Museum, the Whitney Museum of American Art, and the Museum of Fine Arts, Boston.

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Black and white chalk on paper, signed (upper left), 29cm x 24cm, (framed 45cm x 40cm), £2,750

Cadmus was a hugely successful American artist, whose work is contained in many public collections, including the Whitney Museum & Smithsonian Museum of American Art.

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Charcoal on paper, inscribed and dated (upper left), 60cm x 48cm (80cm x 66cm framed), (Provenance: the Artist’s estate), £1,500

Following a career in Special Operations during the war, Stonehouse went to the US and continued his career as a fashion artist painting for magazines like Vogue, Harper's Bazaar and Elizabeth Arden. He was also an accomplished portraitist.

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Oil on board, signed and dated (lower right), 122cm x 60cm (136cm x 75cm framed), price on request.

Attending the Slade School in 1958, there he was influenced by artists including William Coldstream and Keith Vaughan, developing a dark, figurative painting style. Successful in his lifetime, there has been a major resurgence of interest in his work since his death. His work is held in many major public collections. Patrick Procktor: Art and Life, Ian Massey, (Unicorn Press, 2010) at p.14.

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Pencil on paper, signed (upper right), 76cm x 56cm (88cm x 68cm framed), £2,000

A graduate of the Kiev Art Academy in 1957. Drawings of the nude, called academic studies, were central to academic art training in Europe from the 16th century onwards. With the decline of academic art in the Western art tradition, the practice declined in importance. However, in Russia the practice still continues today.

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Pencil on paper, signed (upper right), 56cm x 35cm (65cm x 44cm framed), £1,750

Drawings of the nude, called academic studies, were central to academic art training in Europe from the 16th century onwards. With the decline of academic art in the Western art tradition, the practice declined in importance. However, in Russia the practice still continues today.

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Pastel on board, 82cm x 94cm, (95cm x 107cm framed), £3,500

A graduate of the RA schools in the 1950s, Plummer’s principal focus in his output throughout his career, was the human form; primarily the nude. He was very influenced by the painting techniques of Giotto and other early Renaissance painters and was particularly interested in the anatomical work of Michelangelo and Da Vinci.His work is truly original in both nature and style. Plummer worked in seclusion his whole life.  He rarely exhibited as he did not trust others to understand or appreciate much of his work.

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Tempera on board, signed (lower right), 50cm x 40cm, (58cm x 48cm framed), £4,500

A graduate of the RA schools in the 1950s, Plummer’s principal focus in his output throughout his career, was the human form; primarily the nude. He was very influenced by the painting techniques of Giotto and other early Renaissance painters and was particularly interested in the anatomical work of Michelangelo and Da Vinci.His work is truly original in both nature and style. Plummer worked in seclusion his whole life.  He rarely exhibited as he did not trust others to understand or appreciate much of his work.

To enquire about this picture, click HERE

Oil on board, 62cm x 42cm, (70cm x 50cm framed), £2,000

A graduate of the RA schools in the 1950s, Plummer’s principal focus in his output throughout his career, was the human form; primarily the nude. He was very influenced by the painting techniques of Giotto and other early Renaissance painters and was particularly interested in the anatomical work of Michelangelo and Da Vinci. His work is truly original in both nature and style. Plummer worked in seclusion his whole life.  He rarely exhibited as he did not trust others to understand or appreciate much of his work.

To enquire about this picture, click HERE

sepia watercolour, signed and dated (lower left), 51cm x 34cm (framed 68cm x 52cm), £2,500

A graduate of the RA schools in the 1950s, Plummer’s principal focus in his output throughout his career, was the human form; primarily the nude. He was very influenced by the painting techniques of Giotto and other early Renaissance painters and was particularly interested in the anatomical work of Michelangelo and Da Vinci. His work is truly original in both nature and style. Plummer worked in seclusion his whole life.  He rarely exhibited as he did not trust others to understand or appreciate much of his work.

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pen, ink, pencil and chalk, 44cm x 30cm (framed 62cm x 47cm), £2,000

A graduate of the RA schools in the 1950s, Plummer’s principal focus in his output throughout his career, was the human form; primarily the nude. He was very influenced by the painting techniques of Giotto and other early Renaissance painters and was particularly interested in the anatomical work of Michelangelo and Da Vinci. His work is truly original in both nature and style. Plummer worked in seclusion his whole life.  He rarely exhibited as he did not trust others to understand or appreciate much of his work.

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Pen and ink and wash on paper, 45cm x 63cm, (61cm x 83cm framed),£2,000

This is a study for the painting 'African Prison', held within Sheffield Museums collection. He also has works in many other public collections including the Tate Gallery.

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Pencil and charcoal on the reverse of typed correspondence, signed 'Sironi' (lower right), 26cm x 20cm (63cm x 49cm framed), £1,250

Sironi was an Italian modernist artist whose works are held in numerous public collections, including the Guggenheim Venice and the Tate. This piece was previously owned by Erik Estorick.

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Tempera on board, signed and dated (upper left), 101cm x 76cm, (115cm x 91cm framed), SOLD

A graduate of the RA schools in the 1950s, Plummer’s principal focus in his output throughout his career, was the human form; primarily the nude. He was very influenced by the painting techniques of Giotto and other early Renaissance painters and was particularly interested in the anatomical work of Michelangelo and Da Vinci. His work is truly original in both nature and style. Plummer worked in seclusion his whole life.  He rarely exhibited as he did not trust others to understand or appreciate much of his work.

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Pencil on paper, studio stamp (verso), 11cm x 12cm, (33cm x 33cm framed), SOLD

Vaughan was a British artist, whose work is held in the collections of the Government Art Collection, National Galleries Scotland, National Portrait Gallery, Tate and Victoria and Albert Museum in the UK. In the 1940s, with his friend John Minton, he was one of the leading exponents of Neo-Romanticism, characteristic works of this time being coloured drawings of moonlit houses. His later work, in which he concentrated on his favourite theme of the male nude in a landscape setting, became grander and more simplified, moving towards abstraction.

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Charcoal on paper, signed (lower right) and indistinctly dated (1964?), 50cm x 52cm (72cm x 75cm framed), SOLD

An exile from Germany from 1933 to 1949 due to his political views, he returned to Stuttgart to the Kunstakademie. Throughout his career, he was fascinated by landscapes and the motif of bathers.

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