Pen and ink, ink wash and gouache on paper, signed and dated (lower right), 47cm x 31cm, (68cm x 50cm framed), SOLD
Donald Friend was an Australian painter, draughtsman and writer, particularly remembered for his drawings and watercolours on paper. He spent much of his artistic career living outside Australia in places including England, Nigeria, Italy, Greece, Sri Lanka and Bali. His work is in the Gallery of New South Wales, Sydney.
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Pencil on paper, signed and dated (lower right), 26cm x 21cm, (46cm x 39cm framed), SOLD
A truly original artist, Lear spent most of his 70 year career exploring beautifully proportioned male figures. His style is influenced by mid-century artists such as Paul Cadmus and George Tooker, but his originality stems from often placing his figures into fantastical and surrealist settings. He continued working until the end of his long life and was reported to have been preparing another exhibition immediately prior to his death, aged 98. His works are in the permanent collection of the Philadelphia Museum of Art and several other museums.
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Pencil on paper, signed and dated (lower right), 29cm x 21cm, (48cm x 39cm framed), £3,500
A truly original artist, Lear spent most of his 70 year career exploring beautifully proportioned male figures. His style is influenced by mid-century artists such as Paul Cadmus and George Tooker, but his originality stems from often placing his figures into fantastical and surrealist settings. He continued working until the end of his long life and was reported to have been preparing another exhibition immediately prior to his death, aged 98. His works are in the permanent collection of the Philadelphia Museum of Art and several other museums.
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Pencil on paper, signed and dated (lower right), 29cm x 21cm, (46cm x 36cm framed), £3,250
A truly original artist, Lear spent most of his 70 year career exploring beautifully proportioned male figures. His style is influenced by mid-century artists such as Paul Cadmus and George Tooker, but his originality stems from often placing his figures into fantastical and surrealist settings. He continued working until the end of his long life and was reported to have been preparing another exhibition immediately prior to his death, aged 98. His works are in the permanent collection of the Philadelphia Museum of Art and several other museums.
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Pencil on paper, signed and dated (lower right), 26cm x 21cm, (46cm x 39cm framed), £3,250
A truly original artist, Lear spent most of his 70 year career exploring beautifully proportioned male figures. His style is influenced by mid-century artists such as Paul Cadmus and George Tooker, but his originality stems from often placing his figures into fantastical and surrealist settings. He continued working until the end of his long life and was reported to have been preparing another exhibition immediately prior to his death, aged 98. His works are in the permanent collection of the Philadelphia Museum of Art and several other museums.
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Graphite and coloured pencil on paper, signed and dated (lower right), 36cm x 44cm, (45cm x 53cm framed), £2,500
Throughout his long career, Lear primarily explored homoeroticism in a truly unique style. He is an artist who remained true to his style and genre, at a time when exploring the male form in art was truly unfashionable. His work is in the collections of the Philadelphia Museum of Art, Woodmere Art Museum, the Detroit Institute of Arts.
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Pencil on paper, signed (lower right), 27.5cm x 20cm, (46cm x 38cm framed), £4,500
Vaughan was a British artist, whose work is held in the collections of the Government Art Collection, National Galleries Scotland, National Portrait Gallery, Tate and Victoria and Albert Museum in the UK. In the 1940s, with his friend John Minton, he was one of the leading exponents of Neo-Romanticism, characteristic works of this time being coloured drawings of moonlit houses. His later work, in which he concentrated on his favourite theme of the male nude in a landscape setting, became grander and more simplified, moving towards abstraction.
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Tempera on board, signed (lower right), 61cm x 50cm, (72cm x 61cm framed), £4,750
A graduate of the RA schools in the 1950s, Plummer’s principal focus in his output throughout his career, was the human form; primarily the nude. He was very influenced by the painting techniques of Giotto and other early Renaissance painters and was particularly interested in the anatomical work of Michelangelo and Da Vinci.His work is truly original in both nature and style. Plummer worked in seclusion his whole life. He rarely exhibited as he did not trust others to understand or appreciate much of his work.
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Tempera on board, signed and dated (lower left), 122cm x 183cm (135cm x 193cm framed). Price on request
A graduate of the RA schools in the 1950s, Plummer’s principal focus in his output throughout his career, was the human form; primarily the nude. He was very influenced by the painting techniques of Giotto and other early Renaissance painters and was particularly interested in the anatomical work of Michelangelo and Da Vinci.His work is truly original in both nature and style. Plummer worked in seclusion his whole life. He rarely exhibited as he did not trust others to understand or appreciate much of his work.
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Charcoal and gouache on paper, 60cm x 47cm, (66cm x 43cm framed), £1,250
An émigré from Argentina in the early 1950s who settled in Paris with her partner Yvonne Bilis-Régnier, exhibited very little: once at the Bernard Loliée gallery in the 1950s-60s and once with the feminist artists' group 'Spirale' in 1977. This work comes from the artist’s estate.
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Charcoal and watercolour on paper, 67cm x 49cm, (72cm x 49cm framed), £1,250
An émigré from Argentina in the early 1950s who settled in Paris with her partner Yvonne Bilis-Régnier, exhibited very little: once at the Bernard Loliée gallery in the 1950s-60s and once with the feminist artists' group 'Spirale' in 1977. This work comes from the artist’s estate.
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Charcoal and watercolour on paper, 64cm x 47cm, (70cm x 53cm framed), £1,250
An émigré from Argentina in the early 1950s who settled in Paris with her partner Yvonne Bilis-Régnier, exhibited very little: once at the Bernard Loliée gallery in the 1950s-60s and once with the feminist artists' group 'Spirale' in 1977. This work comes from the artist’s estate.
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Oil on board, signed and dated (lower right), 70cm x 51cm, (76cm x 57cm framed), £1,500
A graduate of the Kyiv Art Institute, Dzyuban was well known for both commercial and more traditional art. In 1974, he became an Honored Artist of Ukraine, and a member of the Union of Artists of Ukraine. He participated in numerous Soviet and international exhibitions. This work was a painted sketch for more finished exhibited painting.
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Screenprint on paper, signed and dated (lower right) and numbered '28/50' (lower left), 18cm x 30cm (image size), 34cm x 46cm (sheet size), (39cm x 50cm framed), £5,000
A highly successful hyperrealist painter, who was was greatly influenced by Renaissance and Baroque artists, as well as Surrealist painters such as Salvador Dalí. He lived and worked in Tangier from the 1970s. He was known mainly for his paintings of still lifes and portraits but also a large amount of his work had an overtly homoerotic theme. This work is a screenprint of a Conté drawing titled 'Study Portrait of Mr Couchez', 1978.
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Pastel on paper, signed and titled (lower right), 84cm x 60cm, (87cm x 62cm framed), £1,950
Cayford, now retired, was a graphic designer and illustrator working in London in the postwar period. His works of the male form were shown predominantly in London, and are in many private collections.
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Pastel on paper, signed (lower right), 84cm x 60cm, (87cm x 62cm framed), £1,950
Cayford, now retired, was a graphic designer and illustrator working in London in the postwar period. His works of the male form were shown predominantly in London, and are in many private collections.
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Pastel on paper, signed and titled (lower right), 49cm x 69cm, (61cm x 81cm framed), £1,950
Cayford, now retired, was a graphic designer and illustrator working in London in the postwar period. His works of the male form were shown predominantly in London, and are in many private collections.
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Pastel on paper, signed and titled (lower right), 49cm x 76cm, (62cm x 89cm framed), £1,950
Cayford, now retired, was a graphic designer and illustrator working in London in the postwar period. His works of the male form were shown predominantly in London, and are in many private collections.
To enquire about this work, click HERE
Charcoal and pastel on paper, signed and dated (lower right), 51cm x 38cm, (63cm x 49cm framed), £1,250
Cayford, now retired, was a graphic designer and illustrator working in London in the postwar period. His works of the male form were shown predominantly in London, and are in many private collections.
To enquire about this work, click HERE
Oil on board, signed and dated (lower left), 70cm x 90cm, (71cm x 91cm framed), £4,000
A realist painter at first, Delmotte was influenced by Expressionism of the beginning of the 20th century, before turning to a symbolic style and developing his great compositions with mysterious landscapes and futuristic architectures.
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Ink and wash, 16.5cm x 29cm, (34cm x 46cm framed), £3,000
Basil Blackshaw was the foremost Northern Irish painter of his generation. He studied at the Belfast College of Art and he is best known for his post expressionist landscape paintings, portraits, equine and animal paintings. The Arts Council of Northern Ireland organised a retrospective of his work in 1995 and the Ulster Museum held a major exhibition of his work in 2002. The F.E. McWilliam Gallery and Studio and the Royal Hibernian Academy held exhibitions to mark the artist’s 80th birthday. His work is in many public collections in Ireland, as well as the government art collection.
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Lithograph, signed (in the plate), 101cm x 63cm, (111cm 74cm framed), £2,500
Hockney combines his very famous motif of swimming pools, for the official poster for the 1972 Munich Olympics.
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Gouache on paper, signed (lower left) and titled (lower right), 68cm x 88cm, (88cm x 108cm framed), £4,000
A realist painter at first, Delmotte was influenced by Expressionism of the beginning of the century, before turning to the symbolic style and developing his great compositions with mysterious landscapes and futuristic architectures. Here he has drawn on Greek mythology, but painted the scene in his own unique style.
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Watercolour, signed (lower right), 14cm x 9cm, (32cm x 25cm framed), £1,250
Active within the Gay Liberation Front in London from its inception in 1970, Hutter showed at group exhibitions at the Royal Academy, the Royal Watercolour Society and the Royal Institute of Painters in Watercolours. He had numerous solo shows across London, and a retrospective at The Bloxham Galleries in 2000.
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Lithograph, signed (in the plate), 101cm x 64cm, (105cm x 66cm framed), £850
Associated with the British Pop art movement of the late 1960s, Jones is known for his work with lithography, painting, drawing, and sculpture.
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Oil on canvas, signed and dated (lower right), 78cm x 100cm, (86cm x 107cm framed), £1,500
From 1933-1938, Pollitzer was chief designer at Pilkington Glass. Postwar he exhibited as an artist, at places such as the Redfern Gallery. A self-taught artist, with an original eye, and a true mastery of line and form.
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Charcoal, ink and ink wash, and collage on paper, signed and dated (lower right), 70cm x 51cm (78cm x 59cm framed), £6,000
An artist, who also served on the board of the National Gallery of Australia, was a truly original painter. By the late 60’s, Many of his paintings had homoerotic undertones, something which reflected on Gleeson's own homosexuality. In keeping with the Freudian principles of surrealism, he composed works which, he said, symbolized the inner workings of the human mind.
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Oil on board, signed (lower right), 24.5cm x 19cm (40cm x 35cm framed), £8,500
An artist, who also served on the board of the National Gallery of Australia, was a truly original painter. By the late 60’s, Many of his paintings had homoerotic undertones, something which reflected on Gleeson's own homosexuality. In keeping with the Freudian principles of surrealism, he composed works which, he said, symbolized the inner workings of the human mind.
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Watercolour, felt tip pen, and pencil on paper, titled (lower left), 48cm x 37cm, (70cm x 58cm framed). £4,750
Patrick Procktor was part of an influential group of British artists in the 1960s. His early paintings were dynamic, abstract depictions of the male nude, before he established himself as one of the leading watercolourists of his generation from the 1970s His work is held in many major public collections.
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Black and white chalk on paper, signed (upper left), 29cm x 24cm, (framed 45cm x 40cm), £2,750
Cadmus was a hugely successful American artist, whose work is contained in many public collections, including the Whitney Museum & Smithsonian Museum of American Art.
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Oil on board, signed and dated (lower right), 122cm x 60cm (136cm x 75cm framed), price on request.
Attending the Slade School in 1958, there he was influenced by artists including William Coldstream and Keith Vaughan, developing a dark, figurative painting style. Successful in his lifetime, there has been a major resurgence of interest in his work since his death. His work is held in many major public collections. Patrick Procktor: Art and Life, Ian Massey, (Unicorn Press, 2010) at p.14.
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Pastel on board, 82cm x 94cm, (95cm x 107cm framed), £3,500
A graduate of the RA schools in the 1950s, Plummer’s principal focus in his output throughout his career, was the human form; primarily the nude. He was very influenced by the painting techniques of Giotto and other early Renaissance painters and was particularly interested in the anatomical work of Michelangelo and Da Vinci.His work is truly original in both nature and style. Plummer worked in seclusion his whole life. He rarely exhibited as he did not trust others to understand or appreciate much of his work.
To enquire about this picture, click HERE
Tempera on board, signed (lower right), 50cm x 40cm, (58cm x 48cm framed), £4,500
A graduate of the RA schools in the 1950s, Plummer’s principal focus in his output throughout his career, was the human form; primarily the nude. He was very influenced by the painting techniques of Giotto and other early Renaissance painters and was particularly interested in the anatomical work of Michelangelo and Da Vinci.His work is truly original in both nature and style. Plummer worked in seclusion his whole life. He rarely exhibited as he did not trust others to understand or appreciate much of his work.
To enquire about this picture, click HERE
Oil on board, 62cm x 42cm, (70cm x 50cm framed), £2,000
A graduate of the RA schools in the 1950s, Plummer’s principal focus in his output throughout his career, was the human form; primarily the nude. He was very influenced by the painting techniques of Giotto and other early Renaissance painters and was particularly interested in the anatomical work of Michelangelo and Da Vinci. His work is truly original in both nature and style. Plummer worked in seclusion his whole life. He rarely exhibited as he did not trust others to understand or appreciate much of his work.
To enquire about this picture, click HERE
sepia watercolour, signed and dated (lower left), 51cm x 34cm (framed 68cm x 52cm), £2,500
A graduate of the RA schools in the 1950s, Plummer’s principal focus in his output throughout his career, was the human form; primarily the nude. He was very influenced by the painting techniques of Giotto and other early Renaissance painters and was particularly interested in the anatomical work of Michelangelo and Da Vinci. His work is truly original in both nature and style. Plummer worked in seclusion his whole life. He rarely exhibited as he did not trust others to understand or appreciate much of his work.
To enquire about this picture, click HERE
pen, ink, pencil and chalk, 44cm x 30cm (framed 62cm x 47cm), £2,000
A graduate of the RA schools in the 1950s, Plummer’s principal focus in his output throughout his career, was the human form; primarily the nude. He was very influenced by the painting techniques of Giotto and other early Renaissance painters and was particularly interested in the anatomical work of Michelangelo and Da Vinci. His work is truly original in both nature and style. Plummer worked in seclusion his whole life. He rarely exhibited as he did not trust others to understand or appreciate much of his work.
To enquire about this picture, click HERE